Gamblin Artist Oil Nickel Titanate Yellow 37ml

Gamblin Artist Oil Nickel Titanate Yellow 37 ml is a soft, muted yellow oil colour with a cool, slightly green undertone. It creates gentle, atmospheric mixtures and mixes beautifully with blues and greens to produce natural landscape colours and subtle highlights. Made with high quality pigments and refined linseed oil, it offers smooth handling, moderate opacity and dependable colour stability. The 37 ml size is ideal for artists who want a delicate yellow for landscape, portrait and colour mixing.

An opaque, relatively muted yellow. Whereas most muted yellows, such as Yellow Ochre and Naples Yellow Hue, lean toward the warm side of yellow, Nickel Titanate is a cool, greenish yellow. Its tendency to grey down in tints and mixtures makes it valuable for painting natural light, as well as having a colour resonance that abstract painters will find valuable.

R564.00

An opaque, relatively muted yellow. Whereas most muted yellows, such as Yellow Ochre and Naples Yellow Hue, lean toward the warm side of yellow, Nickel Titanate is a cool, greenish yellow. Its tendency to grey down in tints and mixtures makes it valuable for painting natural light, as well as having a colour resonance that abstract painters will find valuable.

In stock

SKU: 729911114803 Category:

Product Description

Gamblin Artist Oil Nickel Titanate Yellow 37 ml is a soft, muted yellow oil colour with a cool, slightly green undertone. It creates gentle, atmospheric mixtures and mixes beautifully with blues and greens to produce natural landscape colours and subtle highlights. Made with high quality pigments and refined linseed oil, it offers smooth handling, moderate opacity and dependable colour stability. The 37 ml size is ideal for artists who want a delicate yellow for landscape, portrait and colour mixing.

An opaque, relatively muted yellow. Whereas most muted yellows, such as Yellow Ochre and Naples Yellow Hue, lean toward the warm side of yellow, Nickel Titanate is a cool, greenish yellow. Its tendency to grey down in tints and mixtures makes it valuable for painting natural light, as well as having a colour resonance that abstract painters will find valuable.

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