With summer here and Cape Town basking in its well-earned reputation as the “World’s Best City” (thank you, Time Out), it feels like the perfect moment to embrace the artistic heartbeat of our beautiful city. And what better way to do so than attending the 12th edition of the Investec Cape Town Art Fair? Taking place from 21 to 23 February 2025 at the Cape Town International Convention Centre, this highly anticipated event has always been on my radar, but I’ve just never been able to attend—and, honestly, I’m buzzing with excitement.
I’ve never attended this fair before, so I’m not entirely sure what to expect. But after diving into the press releases and getting a sneak peek at the highlights, I’m convinced it’s going to be a feast for the senses. Here’s a glimpse of what has caught my eye:
PLAY: The Theme of the Fair
This year’s theme, “PLAY,” invites visitors to interact with art in fresh and unexpected ways. It’s about breaking down the boundaries between creators and viewers, transforming art into a shared experience. I love this concept because it feels approachable and inclusive, making the world of contemporary art accessible to everyone, regardless of experience or expertise.
Tomorrows/Today: A Window into the Future
Curated by Dr. Mariella Franzoni, the Tomorrows/Today section is dedicated to showcasing emerging global talents. The lineup includes names like Zimbabwe’s Georgina Maxim, whose work merges installation art with a traditional sewing technique called ‘dhunge mutunge,’ and South Africa’s own Warren Maroon, whose sculptures give voice to the Cape Flats’ often-overlooked stories. Another standout is Mareli Lal, a South African photographer whose surreal suburban scenes highlight the dissonance of contemporary culture. This section promises to be a highlight, offering a glimpse into the future of contemporary art and celebrating bold, boundary-pushing creativity.

Mareli Lal, South African


Generations: Conversations Across Time
Egyptian curator Heba El Kayal has curated “Generations,” a section that brings together emerging and established artists to explore the dynamics of cross-generational collaboration. I’m especially intrigued to see works from South African icons like Malangatana Ngwenya alongside rising stars like Mbali Dhlamini and French artist Cyrille Chamayou, whose “Punch Painting” method captures physical urgency and commitment in his vibrant pieces. It’s a space designed to spark dialogue and reflection.
Cabinet/Trophy: Art Meets Sport

In a fresh twist, the Cabinet/Trophy section merges art and sport, curated by Exhibition Match (Alexander Richards and Dr. Phokeng Setai). This playful concept examines the symbolism of trophies and how they relate to both victory and memory. Participating artists include South Africa’s Willie Bester, whose monumental ‘Trojan Horse’ sculpture made from scrap metal confronts issues of injustice, and Geena Wilkinson, whose ceramic series evokes nostalgia and memory through delicate, ornamental biscuits. Another standout is Dr. Wilma Cruise, whose work explores the complex relationship between humans and animals. This section invites viewers to become active participants, transforming how we experience art.

Willie Bester, South African
SOLO: PLAYSCAPES
Curated by Céline Seror, the SOLO section is all about whimsical experimentation and imaginative inquiry. I’m looking forward to experiencing the work of South African artist COW MASH, whose sculptures serve as a bridge between past and future through personal and ancestral memory, and Kenyan artist Stanislaw Trzebinski, whose evocative bronze sculptures explore humanity’s connection with marine life.

COW MASH [Kgaogelo Mashilo], South African

Local Talent and International Connections
The Deckle Edge is proud to be part of Cape Town’s vibrant art scene. Over the years, we’ve had the privilege of welcoming artists into our store to source materials for touch-ups, safety packaging, and framing or display supplies. Local artists often recommend us to visiting international artists, and it’s always exciting to play a small role in their creative journey. Knowing that our store supports the artistic community both locally and globally makes the Investec Cape Town Art Fair feel even more special.
With over 124 exhibitors, the fair offers a dazzling mix of local and international galleries. Cape Town’s art hubs like SMAC Gallery, Everard Read, and WHATIFTHEWORLD will showcase their best alongside international heavyweights from Paris, Tokyo, and beyond. It’s thrilling to know that our city is not just a participant but a leading player in the global art scene.
Beyond the Fair: Cape Town’s Art Scene
The Investec Cape Town Art Fair doesn’t stop at the CTICC. The Unbound City public programme extends the experience into the city, activating galleries, museums, and cultural spaces throughout Cape Town. Whether it’s a guided art walk or an after-hours event, this aspect of the fair transforms Cape Town into one giant canvas.
Final Thoughts
While I’ve yet to attend the art fair in person, I’m already planning my itinerary to make the most of this extraordinary event. Whether it’s admiring thought-provoking works, engaging in panel discussions, or simply soaking up the creative energy, I can’t wait to immerse myself in the experience.
If you’ve attended the Investec Cape Town Art Fair before, I’d love to hear your tips! And if you’re attending this year, let’s connect and explore this vibrant celebration of art together. See you there!

FOND MEMORIES OF THE FAIR
“I’ve attended the Art Fair a few times, and it’s always a visual feast. Expect to feel inspired, delighted, and a little dizzy from the array of colours, textures and moods. Around every corner you’ll find a fresh perspective and a new way of seeing the world. Don’t miss this!” ~ Megan, Deckle Edge team member













Crucibles of Cultural Discourse
“Attending the Investec Cape Town Art Fair is an exercise in aesthetic indulgence and intellectual discourse. It is an intoxicating immersion into the ever-evolving landscape of contemporary creativity. One finds themselves meandering through a labyrinth of artistic brilliance, where electrifying new generations defy convention and reimagine the artistic frontier.
To merely observe is not enough. To truly engage with the art is to understand that these fairs are not mere gatherings of aesthetic indulgence but they are spaces where cultural discourses come to life. It is a space where the very essence of artistic identity is questioned, deconstructed, and reborn. In such an environment, one does not merely admire art; one absorbs it, intellectualizes it. And, if sufficiently discerning, leaves transformed.” -Gerald, Deckle Edge team member